Furniture Paint

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Painted Room #7: Serve god devoutlye

Image by tortipede
Here you can see the difference in the state of preservation between where the design was painted on plaster and where it was painted on the wooden beams. The diagonal line running down from the top right is the start of a beam: ordinarily, this is what we would see as your classic black and white half-timbered wall.

The Tudor painted room at 3 Cornmarket, Oxford
The building is fifteenth century, but the painted decoration dates from the sixteenth century, when this was part of the Crown Tavern. William Shakespeare was friendly with the proprietor (and mayor of Oxford) John Davenant, and was godfather to his son. According to the son, Shakespeare stayed in the inn; this room — the most richly decorated, as far as we know — is thought to have been the best bedroom, and may plausibly have been where Shakespeare stayed. (Although the painted decoration would, in fact, already have been covered up by then. Also, it appears that such rich decoration was not exceptional — what is exceptional about this room is how well it has survived.)

The decoration was painted by hand, because stencils were forbidden by the painters’ guild (a little bit of protectionism, there); it was a lime wash (like whitewash), coloured with natural pigments — the yellowish colour in the trellis design is ochre from Headington Quarry. The improving text around the top of the walls reads, "And last of thi rest be thou / Gods servante for that hold I best / in the mornynge earlye / Serve god devoutlye / Feare god above allthynge…" Above the fireplace itself, the inscription IHS is seemingly from an earlier, pre-Reformation design…

In places the painting has been touched up and restored — not always very well, unfortunately. Some of the alterations are clearly old: others — especially the great splash of unfaded terracotta colour in the middle — look more recent.

Fashions changed, however, and in the seventeenth century the walls were covered in wood panelling, which was in turn covered in layers of plaster and paint and wallpaper. In the 1920s renovation work uncovered the painted walls, hidden and preserved behind the panelling. The panelling was remounted on rails so that it could be moved aside to reveal the walls, but would otherwise continue to protect them from damage by light. For a while in the later twentieth century it was the headquarters of the Oxford Preservation Trust, and when they moved to their present home in Turn Again Lane it was established that new tenants would have to continue to allow them access for tours such as the one I was lucky enough to attend.

See where this picture was taken. [?]

Here you can choose to skip this, because not is paint a room,also not about the contents of the outdoor shop,But ,a little bird told me, it is meaningful:A candle lights others and consumes itself.You can take a horse to the water but you cannot make him drink.When two‘s company, three‘s the result!.
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Painted Room #4: IHS

Image by tortipede
The Catholics were here first! According to Holly from the Oxford Preservation Trust, a couple of visitors on a previous tour insisted on seeing this as evidence that Shakespeare and John Davenant secretly celebrated mass in this room…

The Tudor painted room at 3 Cornmarket, Oxford
The building is fifteenth century, but the painted decoration dates from the sixteenth century, when this was part of the Crown Tavern. William Shakespeare was friendly with the proprietor (and mayor of Oxford) John Davenant, and was godfather to his son. According to the son, Shakespeare stayed in the inn; this room — the most richly decorated, as far as we know — is thought to have been the best bedroom, and may plausibly have been where Shakespeare stayed. (Although the painted decoration would, in fact, already have been covered up by then. Also, it appears that such rich decoration was not exceptional — what is exceptional about this room is how well it has survived.)

The decoration was painted by hand, because stencils were forbidden by the painters’ guild (a little bit of protectionism, there); it was a lime wash (like whitewash), coloured with natural pigments — the yellowish colour in the trellis design is ochre from Headington Quarry. The improving text around the top of the walls reads, "And last of thi rest be thou / Gods servante for that hold I best / in the mornynge earlye / Serve god devoutlye / Feare god above allthynge…" Above the fireplace itself, the inscription IHS is seemingly from an earlier, pre-Reformation design…

In places the painting has been touched up and restored — not always very well, unfortunately. Some of the alterations are clearly old: others — especially the great splash of unfaded terracotta colour in the middle — look more recent.

Fashions changed, however, and in the seventeenth century the walls were covered in wood panelling, which was in turn covered in layers of plaster and paint and wallpaper. In the 1920s renovation work uncovered the painted walls, hidden and preserved behind the panelling. The panelling was remounted on rails so that it could be moved aside to reveal the walls, but would otherwise continue to protect them from damage by light. For a while in the later twentieth century it was the headquarters of the Oxford Preservation Trust, and when they moved to their present home in Turn Again Lane it was established that new tenants would have to continue to allow them access for tours such as the one I was lucky enough to attend.

See where this picture was taken. [?]

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About paint a room, blog: best paint for furniture or buy antique furniture paint.
The following are not relevant to the content of some paint a room,also not about the contents of the computer help,But ,a little bird told me, it is classic:A burden of one’s choice is not felt.An ounce of luck is better than a pound of wisdom.Caution is the parent of safety..
Beautiful:

Painted Room #1: The offices of Oxford Aunts

Image by tortipede
The first thing we saw when we walked in the room was this startling contrast between the sixteenth century and the twenty-first. According to our guide the curtains are normally drawn to protect the remains from the light, but she’d gone up in advance to draw them back for us. Impressive as this was, it was nothing compared to the better-preserved sections behind the panelling.

The Tudor painted room at 3 Cornmarket, Oxford
The building is fifteenth century, but the painted decoration dates from the sixteenth century, when this was part of the Crown Tavern. William Shakespeare was friendly with the proprietor (and mayor of Oxford) John Davenant, and was godfather to his son. According to the son, Shakespeare stayed in the inn; this room — the most richly decorated, as far as we know — is thought to have been the best bedroom, and may plausibly have been where Shakespeare stayed. (Although the painted decoration would, in fact, already have been covered up by then. Also, it appears that such rich decoration was not exceptional — what is exceptional about this room is how well it has survived.)

The decoration was painted by hand, because stencils were forbidden by the painters’ guild (a little bit of protectionism, there); it was a lime wash (like whitewash), coloured with natural pigments — the yellowish colour in the trellis design is ochre from Headington Quarry. The improving text around the top of the walls reads, "And last of thi rest be thou / Gods servante for that hold I best / in the mornynge earlye / Serve god devoutlye / Feare god above allthynge…" Above the fireplace itself, the inscription IHS is seemingly from an earlier, pre-Reformation design…

In places the painting has been touched up and restored — not always very well, unfortunately. Some of the alterations are clearly old: others — especially the great splash of unfaded terracotta colour in the middle — look more recent.

Fashions changed, however, and in the seventeenth century the walls were covered in wood panelling, which was in turn covered in layers of plaster and paint and wallpaper. In the 1920s renovation work uncovered the painted walls, hidden and preserved behind the panelling. The panelling was remounted on rails so that it could be moved aside to reveal the walls, but would otherwise continue to protect them from damage by light. For a while in the later twentieth century it was the headquarters of the Oxford Preservation Trust, and when they moved to their present home in Turn Again Lane it was established that new tenants would have to continue to allow them access for tours such as the one I was lucky enough to attend.

See where this picture was taken. [?]

This is my blog,In the blog: best paint for furniture and buy painting wooden furniture.

Refinement :

Painted Room #6: The old and the older

Image by tortipede
The end of the protestant text to the left, with the remains of the earlier Catholic one to the right.

The Tudor painted room at 3 Cornmarket, Oxford
The building is fifteenth century, but the painted decoration dates from the sixteenth century, when this was part of the Crown Tavern. William Shakespeare was friendly with the proprietor (and mayor of Oxford) John Davenant, and was godfather to his son. According to the son, Shakespeare stayed in the inn; this room — the most richly decorated, as far as we know — is thought to have been the best bedroom, and may plausibly have been where Shakespeare stayed. (Although the painted decoration would, in fact, already have been covered up by then. Also, it appears that such rich decoration was not exceptional — what is exceptional about this room is how well it has survived.)

The decoration was painted by hand, because stencils were forbidden by the painters’ guild (a little bit of protectionism, there); it was a lime wash (like whitewash), coloured with natural pigments — the yellowish colour in the trellis design is ochre from Headington Quarry. The improving text around the top of the walls reads, "And last of thi rest be thou / Gods servante for that hold I best / in the mornynge earlye / Serve god devoutlye / Feare god above allthynge…" Above the fireplace itself, the inscription IHS is seemingly from an earlier, pre-Reformation design…

In places the painting has been touched up and restored — not always very well, unfortunately. Some of the alterations are clearly old: others — especially the great splash of unfaded terracotta colour in the middle — look more recent.

Fashions changed, however, and in the seventeenth century the walls were covered in wood panelling, which was in turn covered in layers of plaster and paint and wallpaper. In the 1920s renovation work uncovered the painted walls, hidden and preserved behind the panelling. The panelling was remounted on rails so that it could be moved aside to reveal the walls, but would otherwise continue to protect them from damage by light. For a while in the later twentieth century it was the headquarters of the Oxford Preservation Trust, and when they moved to their present home in Turn Again Lane it was established that new tenants would have to continue to allow them access for tours such as the one I was lucky enough to attend.

See where this picture was taken. [?]

Welcome to my blog, blog: painting wooden furniture & buy furniture paint.
The following are not relevant to the content of some paint a room,also not about the contents of the make money in blog,But ,a little bird told me, it is funny:A bully is always a coward.A friend is never known till a man has need.Doing is better than saying..paint a room|Do it yourself: Paint for big savings
Plan to spend more time preparing than painting When money is tight and a room needs a facelift, there’s no easier, cheaper or faster fix-up than a coat of paint. Paint brightens dull walls and creates a fresh, new feeling in a room and a uniform backdrop for furnishings. For a beginning DIYer, painting is goof-proof because the paint and equipment are relatively inexpensive and you learn the …

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